Saturday, 4 October 2025

Evolution as Designer

It’s tempting to picture evolution as a cosmic craftsman: carefully shaping organisms with purpose, sculpting wings, eyes, and shells like a meticulous artisan.

Charming — but entirely metaphorical.


The Metaphor Problem

  • Designer implies intention, foresight, and planning.

  • Reality: evolution has no goals or plans. Natural selection is a relational process of pattern actualisation, not a blueprint executed by a conscious agent.

  • By framing evolution as design, we import teleology, making it seem as though traits exist for a reason, rather than as emergent outcomes of relational interactions.


Why This Is Misleading

  1. Anthropomorphises nature — the universe is not sitting at a workbench with a set of instructions.

  2. Obscures contingency and relational causality — traits emerge from interactions among genes, organisms, and environments, not from intent.

  3. Encourages backwards rationalisation — we explain features by imagining they were meant to be, rather than examining the patterns that produced them.

The “designer” metaphor transforms a statistical and relational process into a narrative of craftsmanship, obscuring the emergent nature of evolutionary outcomes.


Relational Ontology Footnote

From a relational ontology perspective, evolution is a field of potentialities actualised under environmental and relational constraints. There is no agent, no planning; what we call adaptation is the relational alignment of phenotypic possibilities with contextual pressures.


Closing Joke (Because Parody)

If evolution were a designer, your appendix would come with a user manual, and every bird’s wing would be crafted with customer satisfaction surveys.

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